A father-daughter drama with the superficial trappings of a policier and film noir, Oliviero and co-screenwriters Valentina Cicogna and Doriana Leondoff never quite successfully manage to fuse the film’s different genres into a single whole, with the case of a murdered man serving as an entry point — but not much more — into the familial tragedy of a Dad and his teenage offspring who simply stopped talking the day their wife and mother died.
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